![]() I need Emma's flower image from my Photos app, so I select the upper-right corner thumbnail and then select Camera Roll to view the photos on my device. This permission is needed for the Adobe Capture CC app to function correctly.Īdobe Capture CC immediately opens with the camera turned on to take a picture, assuming that's how you want to begin your shape process. If you're a new user, you'll get questions for various permissions for Adobe Capture CC to use your camera app or access your photos. This action takes us to the Shapes tool to add a new shape. Select the giant plus icon (+) in the center on the bottom of the screen to begin the shape-making process. I want to re-create the flower graphic from Emma's photo, so I select SHAPES, which shows all shape assets (currently empty). On the top Adobe Capture CC menu, notice the four menu items below the library name, reflecting the four previous mobile apps: COLORS (Adobe Color CC), SHAPES (Adobe Shape CC), BRUSHES (Adobe Brush CC), and LOOKS (Adobe Hue CC). These capabilities weren't as intuitive or flexible in Adobe Shape CC. From here you can change libraries as well as create new ones. If you tap on it, some great new options appear. We can also delete libraries from here.Īfter you rename the library, the name change is reflected at the top center of the screen. This is a handy addition to the app for sharing work with colleagues, all from one general location. After going through these revised instructions, read Bonny's Part 2 article, which discusses how she combined Adobe Shape CC, her Universal Laser Systems equipment, and her woodblock printing expertise to make the print shown in Figure 2.įigure 3 New: Change the name of your Adobe CC library easily from the app.įrom this menu, we can also collaborate or directly share this library as a link with another Adobe CC library via Facebook, Twitter, email, or as a copied URL link. Together we'll go through the step-by-step procedure I used to transform my daughter Emma's original photo (see Figure 1) into the shape used to create this tangible piece of artwork. These mobile apps-and many more like them-are going to change the way we think, create, and work. (We'll also look at the Colors tool within Adobe Capture CC to assist our new workflow.) I hope to illustrate why I feel that we're on the cusp of a new generation of creative production tools. In this project, I start with the mobile apps Adobe PaintCan and Adobe Comp CC then I use Adobe Creative Cloud Libraries to transfer my artwork from the mobile apps to my desktop, where I finalize it using Adobe Illustrator CC.īefore taking you through that complete workflow project, though, I need to backtrack a bit, revising my Adobe Shape instructions (from Part 1 in the previous series with Bonny Lhotka) for creating a vector graphic shape from an existing photo, this time using Adobe Capture CC. In the following tutorial, I'll show one potential workflow for a printed invitation flyer. Since the release of Adobe Capture CC, I have been toying with it, as well as with many other Adobe mobile apps, and I am happy to report: They did it! Adobe has given us an easy way to integrate these cool and fun and different apps into our creative production workflows! Not as novelties, either, but as viable conceptualization and production tools. I was excited for the new app, yet slightly distraught that my just-published words were now seemingly obsolete. Instead of continuing with Adobe Shape CC, Adobe combined four mobile apps (Adobe Color CC, Adobe Shape CC, Adobe Brush CC, and Adobe Hue CC) into one "mega" app called Adobe Capture CC. ![]() Then, just one day (literally) after our two-part series was published on, Adobe announced at the 2015 Adobe MAX Conference in Los Angeles that Adobe Shape CC was being retired. The next thing I knew, we had written a two-part tutorial ( Part 1 and Part 2) and created how-to videos on Adobe Shape CC, showing how it could be used immediately as a viable, creative tool.Īdobe Shape CC was the game changer in my mind, but it was still just a small tool to be included in my toolbox. I shared it with my friend and mentor, Bonny Pierce Lhotka (author of Hacking the Digital Print: Alternative Image Capture and Printmaking Processes). I was thrilled at how it instantly captured vector shapes. ![]() "Web apps are cool and fun and different, but I just don't see how I can incorporate them into my design process," I said at this time last year. Hacking the Digital Print: Alternative image capture and printmaking processes with a special section on 3D printing
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